"" T. H. Brennen Fine Art - ANDRE BALYON
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ANDRE BALYON

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Biography     All ANDRE BALYON    
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Listing 7 Works   |   Viewing 1 - 7
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ANDRE  BALYON Yellowstone Majesty
Yellowstone Majesty
Painting - Oil on Linen
50 x 66 in
 
ANDRE  BALYON Battle of the Titans
Battle of the Titans
Painting - Oil on Linen
14 x 19 in
 
ANDRE  BALYON Frozen Solid
Frozen Solid
Painting - Oil on Linen
16 x 24 in
 
ANDRE  BALYON Morning has Broken
Morning has Broken
Painting - Oil on Linen
24 x 32 in
 
ANDRE  BALYON Point Imperial - Grand Canyon
Point Imperial - Grand Canyon
Painting - Oil on Linen
28 x 36 in
 
ANDRE  BALYON Stormy Weather
Stormy Weather
Painting - Oil on Linen
20 x 30 in
 
ANDRE  BALYON Winter Bison - Yellowstone
Winter Bison - Yellowstone
Painting - Oil on Linen
28 x 42 in
 

3, 6, 12, 24, 48, 120, Works per page

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ANDRE  BALYON

ANDRE BALYON

ANDRE BALYON Biography

Andre’ Balyon was born in 1951, in The Hague, Netherlands. At the age of fifteen he began painting and with his natural talent he was able to study with a number of accomplished artists in his native land. Today Andre’ continues to paint in the time honored tradition of the 19th century landscape artists. “I love to paint the Dutch countryside. Growing up near the coastline, I felt the moisture-saturated air. I remember my mother telling me to look at clouds, “Just look and observe the clouds, it’s a humbling experience.” It was there that André gazed for hours on end at the dramatic cloud formations, caused by the colliding warm air from a gulf stream, the North Sea, with cold air masses from the North. André’s fascination with the sky and cloud formations explains the dominant role the sky plays in many of his paintings. For that reason, in 1994 André was asked by the Walt Disney Company to assist and instruct a large number of Disney’s background artists on oil painting techniques used for the sky part of the animated motion picture The Lion King. At the age of 21, André started a new life in the United States. After a successful and productive three-year period in Miami, Florida, he moved to Los Angeles, California where he worked for six years. Following a number of exhibitions of his oil paintings throughout the Los Angeles area, Denver, Houston, and Carmel, André temporarily returned to the Netherlands for several one-man shows in Europe as well as to study the techniques of etching. André feels very much inspired by artists such as George Inness and John Singer Sargent. “I feel that we, the living artists, are very fortunate to learn from, and be inspired by the many artists, styles, and art movements of the past. It is astonishing to know that artists before the 15th Century knew little about drawing and painting in perspective. It has been a true evolution ever since. We are standing on the shoulders of the great masters. All we know and learn is through books and information about whatever experiences someone else may have had before us. We can only hope to add to that knowledge through our own experiences, however little this may be”. In 1996, Andre completed a panoramic oil painting,“Panorama Big Sur”. A 360-degree, 15 x 120 ft. rendition of the coastline of Big Sur, California, creating an optical illusion complete with ocean sounds and a gentle breeze. So that the viewer observing the scene would believe that he or she is within the actual setting. “Panorama Big Sur ” will be exhibited in Voorhout, The Netherlands, starting in April 2007. “Panorama Big Sur” is a prototype and technical study for a gigantic 55 x 465 ft. future panorama, “Panorama Grand Canyon”. This is to be the largest oil painting of its kind in the world. “I believe that the true purpose of Art should be to awaken an emotion; this can be love, pleasure or even pain. It should never be just an exhibition of craftsmanship by itself, or a competition with a camera lens. We all recognize emotions, and it’s the developed ability of the artist to portray and convey that emotion. The intuitive mind of the viewer is an integral part of this; it’s like having someone on the other end of the phone line. However, a painting’s ultimate viability as a work of Art largely depends on the quality of the visual terms whereby its message is expressed”.

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